The Spiritual Nature of Things: Reflections from the Sonoma Fire

I had to evacuate my house in Sonoma a few days ago, as did all my neighbors, when the fires pressed down upon us from Santa Rosa, which had already been horribly decimated – thousands of houses and businesses burnt to the ground.  At that time we didn’t know about all the lost lives, just the wretched smell of smoke, the ash falling like heavy snow, and the police driving up and down the roads telling us how close to us the blaze was.  Yet as of this writing there are over thirty confirmed deaths including a young teenager trying to outrun the fire on foot. 

I know I am  lucky.  Gayle and I and all of our friends are alive.  At this moment, our house is still standing.  We also know it may not last the night.  Winds of up to 60MPH are expected this evening, the same as what started this conflagration.  Still, we count ourselves fortunate.  Many of my friends have lost everything.  Up on Bennett Ridge, which until Sunday was home to dozens of artists, Sherry and Dina lost a lifetime of work.  Sherry is a well known collage artist, has collected collage material for decades, has scores of works on paper one more beautiful than the next, now all gone.  Not to mention all the art and antiques they’ve collected over the years that graced their beautiful home.  We spent Monday night with them – they’d slept in their car in a Safeway parking lot on Sunday as their house burned to the ground – and we got a little drunk and told ourselves what everyone tells themselves: “We have each other and that’s the important thing.”

This statement is true, but it’s also a kind of lie.  What I discovered, what many of us did, was that the objects in our lives are also the “important thing”– these objects with which we surround ourselves – the art on our walls, our mother’s china, the photo from that hike in the Sierras,  the plant we’ve been nursing for ten years, the love letters moldering in that old file box, the playbill from that first date – these in fact are the items by which we define ourselves.  They are our connection to those whom we have loved or hated, those who gave us life or those who helped us along the way.  Our journals, our cancelled checks, our collection of salt and pepper shakers – whatever it is that in our own lives mattered – this is also who we are.

And when you have an hour or less to decide:  what do I pack into the car – and you see how small the space is in your car – and you realize how little time you have to choose – a kind of Sophie’s Choice confronts you – which child lives, which is consigned to the flames – and you begin to have a sense that things also have a spiritual nature.  Similar to friendship, love, faith and work.  These things, they are also your identity, even the ones you’ve forgotten that when you look upon them remind you of who you were, where you were, what you said, to whom you said it – oh yes, that’s right, that happened! That was me.  That is me.  Your history.  Your beginning.  Your legacy.  Your things.

I’ve sometimes discounted the importance of things: after all, it’s just stuff. 

No more.

To all who are confronted with the horrible fire, and to all who can only watch and wait, stay safe.  Stay strong. 

Sean Spicer at The Emmys

Okay, let me add my voice to the Sean Spicer yuck-o-rama.  And here it is:  Are you kidding me? 

Is everything okay if we laugh at it? I didn’t watch the Emmy’s but I did see that Stephen Colbert invited Sean Spicer to have a cameo appearance at the end of the opening of the ceremony.  And I saw that bit – it was definitely funny.  Really.  It was.   Which had me asking myself, “what the hell is wrong with me?”

This guy is a liar and a creep of the highest order, with not a shred of decency; a guy who helped pervert and undermine the highest office in the land.  How amusing.

I ask you, has Sean Spicer even apologized for what he did?  Not to my knowledge.  (Not that it would matter, to be honest).  But why bother even thinking about the consequences of his actions? There are none!  Let’s just move forward, shall we? It’s the right thing to do.

Look, I think Stephen Colbert is great and he has been on point in his monologues for months now, but shame on him and his producers.  Forgive and forget?  You forgive someone when they make a sincere effort to change, when they at least try to undo the damage they’ve done. But, nah.  Let’s just put him center stage in front of millions of viewers and call it a day.

Because when you get right down to it, what so wrong with demeaning and demoralizing entire subgroups of this nation?  What’s the big deal if you fabricate facts and support bigotry and hatred? It’s all showbiz!  And Sean’s a good person, after all – even nicer than all those fine folks waving swastikas in Charlotte. We’re all human after all.  Let’s not judge.

Because what’s written between the lines is that, at least if you’re white and putatively Christian and in a certain income bracket, you can do or say pretty much anything you want without suffering one itty bitty little consequence.

And that’s a pretty good deal, I think.  

If you want to live in hell. 

Until next time, Stay Safe & Be Kind!

 

 

--

Berkeley Art Museum - Pacific Film Archive

This week a friend of mine who just moved to Berkeley over in the East Bay discovered one of the true gems of the Bay Area art scene:  the Berkeley Art Museum - Pacific Film Archive (BAMPFA).  He was duly impressed, and I’d like to share with you some of the things he saw now that the building has finished its renovation and is now open to the public.

The first exhibition you come to is called “Charles Howard: A Margin of Chaos.” I’ll be honest.  Never heard of him.  My bad. But maybe not:  because one of the great things about being alive is that no matter how long you’re around or how savvy you think you are, there is always something new to discover. When you look at the photos of his work (below) you’ll see why I’m so excited and why I intend to hop over to Berkeley to catch this exhibit.

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Grotto

1932 - Oils on Canvas

Collection of William and Carol Achenbaum

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Bivouac

1940 - Oils on Board

Anonymous 

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Painting (VI)

1962 - Oils on Canvas

Blanton Museum of Art, The University of Texas at Austin

Michener Acquisitions Fund 1969, P1969.14.1

My friend (as ignorant as I) lucked out because there was a free lecture given by the curator of the exhibit, Aspara DiQuinzio.  It turns out this is the first exhibition of Charles Howard’s in the U.S. since 1946.  I love it when someone is rediscovered. Gives one hope!

It turns out theHoward family was enormously influential in the development of the town of Berkeley. For instance, Charles’s father was the Head Architect for UC Berkeley for many years and was responsible for designing and overseeing the construction of some of the central structures and buildings that are still on the campus today. 

But most important is the power of art, its immediacy and transformative impact – no matter when you discover it, no matter the fame or obscurity of its creator, no matter the time or place you confront it. 

Although in this case, you can easily do it by getting yourself down to the newly remodeled Berkeley Art Museum.  It’s at 2155 Center Street, just off of Oxford and about a block or two away from another fantastic East Bay wonderment – the Berkeley Rep theater.

 

Stay safe!  Have fun!  Do art!

Jewish Contemporary Museum Visit - Roz Chast

As do most writers, I have a lot of friends who practice other arts – music, painting, theater, and in future blogs I’m going to tell you about some of these remarkable people and expose you to some great work you’ve probably never seen. 

But first – I just have to share with you my experience seeing the Roz Chast show at the Jewish Contemporary Museum (CJM) in San Francisco. I’ve been a huge fan of hers for 20 years at least but only was able to enjoy her work in The New Yorker Magazine and some of her other publications – but never up close and personal.  Truly one of the funniest commentators on contempory urban life, this was an experience not to be missed.  So if you couldn’t make it SF I want you to get a little idea of what the exhibit was all about.

Here goes!

Roz Chast - Author, Illustrator, Artist

Roz Chast - Author, Illustrator, Artist

The exhibit took place on the upper level of the museum, which is its main exhibit space.  If you’ve not been to building, it’s a work of art itself, especially with the Libeskind addition. Anyway, as soon as you walk in to the exhibit, you are blown away.  Now, I specifically aked if I could take photos, and the usher said I could – so there is no cheating here.  Enjoy: 

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The Wall on the way up to the exhibit

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Opening image before the exhibit entrance

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The exhibit was designed with no clear trajectory as to the path you were meant to follow.  Kind of like wandering through Roz’s mind, I guess. Works, however, were organized into sections along the walls. The first part of the exhibit contained Chast’s illustrations from The New Yorker Magazine as well as other publications:

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The Birth of Venus (2014) - Cover Illustration for The New Yorker

August 4, 2014

Roz Chast - CJM

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The Steel Chef (2003) - Bon Appetit

September 2003

Roz Chast - CJM

Along another wall there was a strip dedicated to Chast’s book “Can’t We Talk About Something More Pleasant?” This graphic novel discusses Chast’s experience with end-of-life moments she shared with her parents. It is simultaneously dark and hilarious.  Which is pretty much true of all her work, and some of mine as well.  Anyone who has lost anyone – or who may lose someone (oh wait, that’s all of us) should read it. 

 

Along another wall there was a strip dedicated to Chast’s book “Can’t We Talk About Something More Pleasant?” This graphic novel discusses Chast’s experience with end-of-life moments she shared with her parents. It is simultaneously dark and hilarious.  Which is pretty much true of all her work, and some of mine as well.  Anyone who has lost anyone – or who may lose someone (oh wait, that’s all of us) should read it. 

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Some of the other really cool things in the show included:

A couch placed in front of an illustrated wall where people could sit beneath thought/speech bubbles and emulate the characters in the illustration.

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A room with cut out cardboard sculptures of Chast’s caricatures: 

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A small (created) space dedicated to the A to Z of everything Chast hates: 

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There were many more thought provoking and hysterical illustrations but unfortunately I couldn’t take pitcures of them all – but I hope you got a taste at least of the joy of seeing Roz Chast’s work up close and personal.

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And be sure to check back for the second round of my trip to the CJM when I’ll share some an incredible exhibit called “The 613” by Archie Rand and also, as promised, some insights from other artists and writers I’m lucky enought to know personally.

Be well & stay safe to all!

 

 

Shiny Glass Towers - Public Spaces

For most writers, setting – where you place your characters – is really just another character in the story.  It’s the ground on which the action takes place, and if it’s real enough, if you get the details right, your human characters feel more real, allowing your imagination to take flight. In The Heart of Henry Quantum, San Francisco is as important an element as Henry or Daisy or Margaret.  Maybe it’s even more important. The book is a love letter to that wonderful city and I worked very hard to get the it right.

 

Setting drives emotion.  Think about the different feel you get when a scene takes place in a gloomy back alley contrasted to a lovely tree-filled park, or a cramped office cubicle compared to a sun-filled loft. 

 

Of course the emotional power of place doesn’t only happen in books. The spaces we live in and move through on a daily basis also hold great power over us.  Imagine yourself walking though a romantic plaza in Rome, flocks of pigeons chattering on the fountain, lovers strolling by, ... 

 

Piazza Navona - Rome, Italy

Piazza Navona - Rome, Italy

Now compare that to what you feel hurrying through a canyon of glass and concrete towers. You might feel awe and wonder at their sheer size, or you might feel quashed and isolated by their icy façades.  It’s unlikely you’ll feel same as you did at that fountain in Rome.

San Francisco Skyline - San Francisco, CA

San Francisco Skyline - San Francisco, CA

I recently listed to a fascinating TED talk by Justin Davidson, in which he discussed the seemingly ubiquitous epidemic of glass towers in cities. He made the point that glass has become the default wrapping material for most new high-rise buildings.  Davidson suggested there are legitimate reasons for switching to glass. It’s cost effective, easy to construct, and easy to replace should something break. And most important from a consumer point of view is the ability to bring the outside world in: a major selling point for high-rise luxury apartments is the 360 degree surround-view from the 15th or 20th floor.  Not bad if you can afford it.

 

The challenge with glass, however, is that there is only so much range an architect can achieve in the external appearance of a building. Because of this, Davidson argued, many skylines of global cities are becoming homogenized. The simple designs required to sustain glass exteriors severely reduce diversity -- the very diversity that has drawn so many people to travel around the world to see new, different, and wonderful structures.

 

In The Heart of Henry Quantum the texture of the buildings and neighborhoods Henry passes through gives textural significance to his life. So too are our lives enriched by the texture of the buildings that surround us. Do we want to revel in those spaces, as we might in the Roman plaza, or merely pass through as we might in the financial district of San Francisco?

 

As Davidson points out, architecture is only one factor in how we use (or ignore or avoid) our public spaces.  How often we look up from our phones is clearly another factor. 

 

But do take a few seconds now to indulge your senses in some of the remarkable buildings and spaces that Davidson shared in his talk. And perhaps ask yourself: What kind of buildings would I like to see in my city or town? And, how would being surrounded by buildings like these change my perception of the world around me – or, even, perhaps, my perception of self?

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History Museum - Ningbo, China

The Big Steal - Part II: Practicing “Sticky Fingers” for Writers

Here is the continuation of an earlier post I started a few weeks back...


To wit: eavesdrop on every conversation going on around you, and steal the dialogue, word for word, if you have to. Steal your friends’ heartfelt confessions, note their dilemmas, family dynamics, foibles, tragedies, successes.  Why make it up when it’s right there in front of you? Steal from what has happened to you in your own life: lovers, co-workers, bosses, parents, siblings. Steal from your own inner life—your embarrassments, secrets, fears – and also your strengths – and be ruthlessly honest.  All this is fair game.

As you can see, though, there are two very different kinds of ideas you have to contend with when it comes to writing.  The “big idea” (easy) and the “detailed idea” (hard).  In other words, it’s easy to begin a book and easy to finish it: it’s the middle that gets you in trouble.  That’s why there are so many unfinished books in your drawer. 

For instance, the general idea for THE HEART OF HENRY QUANTUM came from a series of walks I took with a friend – we used to talk in a non-stop steam-of-consciousness style about all sorts of things: philosophy, science, mathematics, politics – all of which we were profoundly ignorant. One day, I wondered aloud if I could write a story about a person who thought the same way we talked – and suddenly there was Henry Quantum!  Indeed, I went home and wrote the first pages – easy peasy.

Then the real work began.  More stealing needed!  First I stole some conversations I’d had with a second friend, these were usually over martinis – and this gave my character dimension.  Unfortunately there also had to be a plot and other characters, and all the rest. The small details that actually make up the story. Happily I have a lot to steal from. I stole from my own life (in advertising), from my wife’s life, from all of my former girlfriend’s (not only in physical description, but events as well), from other characters in other books (you guess which ones), etc. etc... 

 

San Francisco - Art, Lights, Summer of Love

Hi fellow San Franciscans (and everyone who wants to visit our fair city!)  Summer is upon us, and I thought it would be nice to share some fun (and, yes, artsy) events taking place in the city. Every place I go in SF is an inspiration for my work, so if you want to get your creative juices flowing, or if you just want to have a good time, here are some suggestions!  Hey, get out of the house! Who knows, maybe I’ll see you there. :)

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Photo: Amy Osborne, Special To The Chronicle

If you are like me and enjoy your nights outside (be sure to bundle up – it might be summer, but it’s still San Francisco) then  head out to Golden Gate Park. There is an exciting light-art project taking place in honor of the anniversary ofThe Summer of Love called, amazingly, “The Summer of Love.” Where is this awesome outdoor wonderfulness taking place? I’m glad you asked. It is happening at San Francisco’s Conservatory of Flowers and it will be held from sundown to midnight from now until October 21st.

The outdoor exhibition features video projections of butterflies, flowers, mandalas, and more stunning nature-based imagery. The installation utilizes six state-of-the-art gobos to bring this light creations to life! Definitely a fun evening activity with your special someone, or the entire family. Get more info here!

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Christopher Brown. Between the Eyes, 1995

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Karin Mamma Andersson and Jockum Nordström. Mamma Andersson/Jockum Nordstrom: Lou

There’s always something cool and funky going on in San Francisco’s gallery scene. What better way to spend an afternoon than seeing an inspiring show to start a conversation and offer new insights. Be sure to check out “Summer Choices: A Group Exhibition” a new exhibition displaying abstract prints from a selection of 25 different artists.

20 Hawthorne Street San Francisco, CA 94105

Open from: June 6 - September 2

Summer Choices includes work by Tomma Abts, Mamma Andersson, Anne Appleby, Robert Bechtle, Christopher Brown, Chris Burden, Richard Diebenkorn, Al Held, Sol LeWitt, Tom Marioni, Susan Middleton, Jockum Nordström, Chris Ofili, Nathan Oliveira, Laura Owens, Markus Raetz, Ed Ruscha, Laurie Reid, Wilson Shieh, Shahzia Sikander, Pat Steir, Wayne Thiebaud, Richard Tuttle, and William T. Wiley, Fred Wilson.”

If you want to learn more about hours and the artists featured check out Crown Point Gallery’s website!

One of the things that makes so many movies epic is their soundtrack. Why not pay homage to the great American composer John Williams by spending a thrilling night with the San Francisco Symphony? Performances are on July 6th and 7th and will feature musical masterpieces from acclaimed films such as Star Wars, Jurassic Park, Indiana Jones, and more.

Treat yourself to a night out on the town. Get dressed up and have a blast! Take your kids to experience the culture and excitement of live orchestral performance. You can learn more about this show along with many other upcoming performances happening at San Francisco Symphony at their website. Also, if you want to see the full program for the John Williams performance check it out here.

These are only a few suggestions of fun things to do this summer in our fabulous San Francisco. Be sure to check back on my Blog regularly to see upcoming recommendations of the latest artistic adventures available to you in Bagdad by the Bay! Wishing you a wonderful summer.

 

 

 

The Big Steal - Part I: Fundamentals of Theft

Every writer is asked the same question:  how did you get the idea for your story?  Inevitably, we lie to make ourselves seem more intelligent than we are and weave yet another story about how the idea came to us.  Because the truth is, most of the time we just don’t know. 

The secret to getting story ideas, I think, is to be a spy.  Watching, listening, noting.  In other words, stealing.  Stealing from life, but also stealing from what you read, see in the movies, watch in the theater or on TV or YouTube or any of your social media sites.  We all do it. 

Ideas come from oddest places.  Whole scenes for my first novel, NOT ME, emerged fully blown in the middle of a Bible class I was taking that year. I’ve culled ideas from people passing me on the street – I notice something odd, like a weird pair of shoes, or something normal, like a hundred people texting at the same time.  I used to pass this guy in North Beach who was a screamer – every day he stood on the same corner and screamed at imaginary people – I don’t remember if I put him in any of my stories, but that very corner, and the feeling he evoked in me, the sense of this being so very “San Francisco” – forms a critical scene in my latest book, THE HEART OF HENRY QUANTUM.  For my last book, THE WANTING, the big idea – a Russian living in Israel – came to me over a very fine bottle of wine up at Squaw Valley—literally came to me, because it was someone else’s idea.  He said it, I stole it.

Stealing is the oldest trick in the book.  Stealing from the Bible, of course, is the oldest of all, but so is stealing from Greek mythology, fairy tales, histories.  Shakespeare stole just about everything he ever wrote, often from other writers.  Joyce’s masterpiece is a mash-up of Homer, isn’t it? Flaubert’s Emma Bovary is based on something he read in the paper.  But these thefts are only the outlines of ideas.  The deeper theft requires more work.

This work is ongoing, fairly relentless, and a great deal of fun.

Writing Hints: How Sad is Happy?

We all know that tragedy and comedy are two sides of the same coin, which is what often gets people (like comedians and politicians) into trouble.  “How can you make fun of that?” goes the Twitterverse. I only have to mention Kathy Griffin’s bloody Trump head to make my point. 

So much of what we think of as funny arises from what in real life is pure misery.  If you slip on a banana peel and fall, you will not think it’s funny.  But if a character does it – and even ends up in the hospital covered from head to toe in bandages – you will laugh.  In fact, the more bandages the better.  Add traction and you have a laugh riot.

It seems to me that what you are experiencing at moments like these is a sense of victory over despair.  You are laughing in the face of your inevitable doom and asserting your power over life itself.  Which of course is laughable on the face of it.  But never mind, it’s all in good fun.

The truth is, writers like myself relish the opportunity to explore the comic/tragic continuum.  It’s our bread and butter.  

In my novel The Heart of Henry Quantum which I wrote under the pen name Pepper Harding, Henry’s wife Margaret is confronted by a terribly tragic event.  She witnesses an attempted suicide on the Golden Gate Bridge.  It’s part of one of the most amusing – and most telling -- scenes in the book – yet it is really about the ultimate tragedy – our own isolation.   

When I was writing the sequel, which I hope will come out in the not too distant future, my editor suggested I take on the story of that young woman who was contemplating suicide.  Like Balzac or Zola she thought I might turn a minor character from one novel into the protagonist of another.  But when I started reading about suicides, and especially when I looked at photos of real people hanging off the edge of the Golden Gate Bridge contemplating whether to jump or not, my heart simply broke.  I couldn’t find anything funny about it.  The despair in those photos was overwhelming and so terrifying to me, I changed course and wrote an entirely different (and, my agent says, hysterically funny) book.

But back to The Heart of Henry Quantum.  In the scene to which I alluded, Margaret is rushing to meet her lover but all traffic is being held up on the bridge because some girl can’t decide whether or not she wants to jump.  The clock is ticking away on Margaret’s own future happiness.  Finally, in frustration, she leaps from her car and confronts another driver:

 “Anything happen yet?” she asked.

“I don't know.”

“It seems to me if you want to kill yourself, go ahead,” she said.

“Yeah, but what if it’s some teenager?  Or your brother or husband or sister?”

“Don’t you think people should be able to do what they want?”

“You really believe we should let troubled people kill themselves?”

“I’m sure you’re right,” she said to mollify him, but what she was really thinking was, Hitler was troubled.  Should we have stopped him from committing suicide?

What is happening here is not really about the girl contemplating suicide.  It’s about elucidating Margaret’s character.  And because every character you write about is really you, it’s about exploring my own reactions to tragedies that happen to people I don’t care about.  For me, a light hand is the best tool for that exploration.  It lets me see things I might turn from if I took too heavy a stance.

Another plus is that when tragedy and comedy (in the classic sense of the word) pull against each other tension is expanded and the dramatic experience is heightened and sharpened.  As I mentioned, a tool in every writer’s toolbox.

One of the joys of writing fiction is that your characters are free to go to the places, to say and do things, we wouldn’t dare in real life. Even though we might – and do -- think them.

So when you pick up that pen to write, dig deep into the very worst part of you – and even if you transform it into laughter you’ll be laying bare a truth that will lift your work to the next level.

Public Spaces and Safety

In light of the horrifying attack committed in Manchester, UK at the Ariana Grande concert, I have been doing a lot of thinking about public spaces. 

My latest novel, The Heart of Henry Quantum is a book that takes place in a myriad of public spaces. The characters move through the city of San Francisco, from location to location, interacting with other characters and their surroundings organically. They are able to do this because of their base understanding that walking a couple of blocks in downtown San Francisco will not result in an explosion that may cost them their lives.

If these characters were to lose that understanding of security and were instead in a constant state of fear about what would happen to them each time they left a “secure location,” the story would be quite different. Indeed, the world would be quite different.  And it is different.

Humans are social creatures and congregating in public spaces is not merely a mercantile necessity (indeed with on-line shopping, it’s becoming less and less important to gather for the purposes of buying and selling).  It’s much more that we love to share our lives with others, to experience things together, to feel that irrational and glorious sense of commuitas – of unity with those around us. Whether you just meet a friend at a restaurant or see a play or concert with hundreds or even thousands of others, you are participating in something greater than yourself.  Disrupting that sacred space of gathering alters not only our sense of security, but our sense of who we are as a community.

A friend told me about an experience she recently had on a BART train crossing from San Francisco to the East Bay.  They were riding along as they did every day, when suddenly there was a loud crash – just a sound, but a sharp one, a bang.  Nothing else happened.  Nothing was damaged.  No one was hurt.  All was good.  Until she noticed that everyone in that train car began sizing up their fellow passengers. They were, in essence, searching for the terrorist, even though there was no terrorist act.

This is deeply saddening to me. When we begin to distrust one another, a social bond is broken.  When you can’t walk down the sidewalk in Times Square in the sure knowledge that no one will run you down with a car (it just happened); or go to a youth camp without being mowed down by a right wing fanatic (it happened), or, as we’ve seen in Paris and now England, go to a concert and lose your life, something fundamental to who we are is being destroyed.

I’m just a writer.  I have no idea how to confront this. 

All I know is that we must not only secure our public spaces, but must protect and cherish within ourselves our will to engage and trust in the public sphere, our shared and sacred spaces.

Racial Inversions - Expectations & Character Development

Just finished reading a great article in Mic by Sarah A. Harvard titled “These Three Pictures Make a Powerful Statement About Race and Power Among Women.” A discussion about a photo spread that appeared in a recent issue of O Magazine (thank you, Oprah!).

The spread consisted of three photographs taken by photographer Chris Buck. In all three photographs, characters (representative of real life people) are depicted with societally expected racial roles either reversed or in some way ambiguous.

The first image shows a line-up of Asian women receiving pedicures from a line-up of white women in uniforms:

A nail salon where Asian women are having their pedicures done by white women.Source:&nbsp;Chris Buck/O, the Oprah Magazine

A nail salon where Asian women are having their pedicures done by white women.
Source: Chris Buck/O, the Oprah Magazine

The next photo shows a white girl, facing away from the photographer, looking up at a wall of Black dolls:

A young white girl looking up at shelves upon shelves of black dolls.Source:&nbsp;Chris Buck/O, the Oprah Magazine

A young white girl looking up at shelves upon shelves of black dolls.
Source: Chris Buck/O, the Oprah Magazine

The final image shows a Hispanic woman sitting in a luxurious apartment talking on her phone, while a white woman pours her tea or coffee:

The young woman is on the phone and not acknowledging the presence of the maid.Source:&nbsp;Chris Buck/O, the Oprah Magazine

The young woman is on the phone and not acknowledging the presence of the maid.
Source: Chris Buck/O, the Oprah Magazine

Aren’t these images amazingly powerful?  How do you feel looking at them -- regardless of your own race?  Don’t they defy the societal expectations ingrained within us?  Even if we see ourselves as enlightened don’t we feel the frisson of these images? 

This is the power of roles reversal, and whether you are Latina, White, African American or Asian, you are subject to it, just as I am.

Because really: do you think Asian women never go to get their nails done? Or that white girls never look at Black dolls? And I have to tell you there are a hell of lot of Hispanic women who live in luxurious apartments and have housekeepers.

But the truth remains that these three images, each with its racial “flip-flop,” creates a story – one we really want to know more about.  It’s the kind of story that reveals life to us in a way we might not have taken note of before.  This is the kind of story that can change lives.

As you know, people of color often speak of the lack of representation for non-whites in media. Many of us have grown up seeing white people depicted in positions of power while people of color are relegated to secondary or service-oriented roles – so much so that we absorb this dynamic into our definition of self.  But the fact is, it’s just a storyline.

Story telling is what I do, so I think there’s something I can learn from this even beyond examining the racism that exits in me and in all of us.  Most of my characters are white because I’m most comfortable writing about them, I know their language intimately, have a sense of their history, desires, and faults.  And generally I feel I would be appropriating someone else’s story by exploring Black, Latino or Asian characters in depth.  But maybe I’m wrong about that. 

By shifting the perspective, and changing the distribution of roles of power the photos we’ve been looking at are imbued with a layer of depth we rarely see. Personally, I want to know what is going on in all of these women's lives. I want to know who they are and hear their stories. I’m intrigued to know more.

This is the essence of creating a character with depth. By utilizing unexpected circumstances and subverting our subconscious expectations, a character not only becomes alive, she or he becomes interesting. And once you break into the territory of the unexpected, the possibilities of story are, well, endless.  Perhaps the same is true in real life?

Kudos to Sarah Harvard and Chris Buck – thanks for making us think.

 

 

An Interview With Pepper

Recently, a friend who is interested in writing approached me. He wanted to know if I would share my experiences, working habits, difficulties, success and so on. I was happy to answer his questions and I thought I would share them with you – if any of you could also benefit from this:

 

Where do your ideas come from?

I don’t know.  It’s a mystery.  Everywhere.  Nowhere.  I could be sitting in a meeting and someone says something and it sparks a wild train of thought.  I could be working on some story and go for a walk and see someone do something and it gives me the next part of the plot.  Sometimes it’s a dream.  Sometimes, when I’m in the shower. Ideas come when you are in absent space.  Empty bowl.  Not worrying or obsessing, unless what you want to write about is worry or obsession – then that helps!

 

What is your writing process?

I write three pages a day, five days a week.  I begin by going over yesterday’s pages, rework them and then add three more.  I can write more than three pages, but try to write no less.  They don’t have to be good; they just have to be done. Like I said, I can go back and rewrite, or edit, them later.

 

How do you approach a new character? What tools do you use to flesh characters out to make them more 3D?

Characters create themselves, really.  Once you have someone appear, you have to allow them to be themselves.  You discover their motivations, back-stories, and issues as time goes on.  Sometimes you can hear them clearly all at once, sometimes it takes time; and then you go back and rewrite the earlier material to reflect whom they really are.  Language is very important- syntax, vocabulary – everyone has his or her own way of speaking, which reveals a great deal in itself.  I try to make speech as natural as it can be, within the rules of story telling.  Real speech is incomprehensible on the page.

 

Do you have any writing rituals?

No.

 

How do you fluctuate between creating and editing your work?

I do both at the same time.  Once I have a draft, it’s all editing and rewriting, which is actually my favorite part.  It’s in the editing that everything comes to life.  Also where you get to excise your “writerly” over-indulgences.  The most important thing in editing is cutting out the chaff. 

 

How much research do you do when writing?

I don’t know.  Depends on the book. The Wanting took a lot of research.  The Heart of Henry Quantum took a little. I research as I write – my character wants to talk about some subject I know nothing about, so I just stop writing and look it up.  I do a lot a research on line, which is okay for a character like Henry who really doesn’t know what he’s talking about.  But for Not Me and The Wanting, I was more scholarly about it.  I bought or borrowed a lot of books.  For The Wanting I went into archives as well.  It was really fun.

 

Where do you like to write?

I prefer to write outside when the weather is warm. I set up a table in a space outside my office.  Other than that it can be almost anywhere: office, kitchen table, sitting on the couch with the laptop on my – yes – lap.  I like quiet.  No music, no talking.  I don’t work in cafes.  I will, from time to time, work in a library.

 

What has improved in your writing from your first book till now?

Experience, is all.  You just know better how to do things.  Doesn’t mean it comes any easier, by the way.  Often it’s the opposite.  But you do learn what works and what doesn’t.  The main thing is discipline.  Do it every day like a job.  Don’t wait for “creativity” to strike.  It won’t.

 

What do you struggle with when writing?

Everything.

 

How do you keep track of your story when writing?

Great question.  I often do lose track of what was said and done, and I often forget the names of minor characters.   I do write a history of the major characters, a timeline, so to speak, and sometimes I write out little plot possibilities, but basically I start the book on page one and write in order till the end.   If I lose track, I just go back and read.   I’m having a little trouble with the ending of the sequel I’m now writing because I know how it will end - in fact, I’ve already written the ending –now I just have to write a few pages to get there.  Normally I wouldn’t know the ending, and so the flow is always forward, revealing itself to me as I go along.  What I’m doing now is different. I’m learning another part of the craft. 

 

What is the most important thing when starting a new book?

Well, I can go for months, even years, starting new projects that go nowhere.  It’s the fallow time they say you are supposed to experience.  I find it terribly upsetting and demoralizing.  But when I finally do light on something that can go more than 50 or 100 pages, it’s a total high – you know you are going to have a great ride getting to the end.  I think my advice is simply, just keep starting.  Don’t fear throwing your pages away.  I’ve thrown away hundreds and hundreds.  There’s always another story in you.  Sooner or later it will find its way out.

 

How much time do you dedicate to your writing?

As long as it takes to write my 3 pages.  If I have a deadline or want to finish I can write all day and into the night.

 

How much of your personal life do you incorporate into your stories?

A lot, but it’s all camouflaged.  I don’t write about myself in any way that you could call autobiographical.  But you do use your own experience, because those are the most real for you.

 

What do you do when you feel suck or “blocked” in your writing?

Get depressed.  Complain.  Then get back to work.  When I’m really stuck, I just talk it out with my agent or wife or best friends.  This usually doesn’t give me an idea, but loosens my mind. 

 

What would you say, now, to yourself when you started writing?

Do it.  Don’t wait.  Don’t fear.  You may not succeed, but you will be the person you want to be.

 

New Year, Real Me.

The name I was given at birth wasn’t Pepper, and it wasn’t Harding, and it certainly wasn’t Pepper Harding. However, I very much am Pepper Harding.

But also, I’m Michael Lavigne.

The secret of my pen name has been trickling out, so I’d like you to hear it straight from me.

I’m a Sonoma, CA. based writer by way of San Francisco by way of Chicago by way of New Jersey. I’m married and have two adult sons and I spent the better part of my career in advertising. A writer since my adolescence, I’m very proud of my first two books, The Wanting and Not Me, but they were darker endeavors with Jewish themes…novels wildly different than The Heart of Henry Quantum. And while I can be a thoughtful and serious fellow, I also am very much the same person that can send Henry through the streets of my beloved adopted hometown of San Francisco, musing about science, philosophy, his own foibles, sex and the one that got away. In fact, Henry’s fictional stream of consciousness style was based on very real conversations I had with friends…friends who encouraged me to write how we talked.

So why Pepper Harding? Harding is a family name, and Pepper – spicy and interesting – allowed me to disappear a little more into my new gender-neutral persona, freeing Henry from any pre-conceptions based on my other work.

Happy New Year from Michael and Pepper. Lavigne and Harding.

Mr. Quantum's Christmas...And The City That He Loves

As even the most urbane among us will attest, there’s just something different about San Francisco. It’s romantic, but bawdy. Geographically small, but within a square mile of hilly landscape, you can experience four microclimates, and hear languages from nearly every spot on the globe. It’s part of the old west, but at the forefront of technology. It’s been the epicenter for gold miners, hippies, techies, debutantes, and those with new money, old money, and no money. Once you fall in love with San Francisco, there’s just no going back, you are part of her story. And that is why she was part of mine.

In my novel, The Heart of Henry Quantum, San Francisco was not just a bland could-be-anywhere backdrop for Henry’s walk to buy his wife a Christmas present. San Francisco was a major character, actively participating in the story with Henry, Margaret and Daisy. The city challenges them, teases them, alters their courses, and messes with their minds.

If you haven’t been to the spectacular City by the Bay, do not despair, you will get there someday, and here I’ve included a peek at Henry’s beloved city through his eyes. And if you know San Francisco well, you just might enjoy seeing these familiar spots. And as a holiday bonus… I’ve thrown in a few holiday experiences unique to the city that you will love! 

Haven't read the book yet? Pick it up here... http://www.pepperharding.com/take-action/

Henry starts his work day in North Beach...

He starts his walk to Macy’s…

Chinatown...

Considers stopping for tea but moves on…

Past Cafe de la Presse...

He contemplates change in front of the Taj Campton Hotel…

His encounter with Daisy have him lurking ever closer to Union Square, his original destination…

 

 

And finally en route to Union Square….

What were your favorite locations?

Mr. Quantum’s Christmas (in San Francisco)

A gift certificate for a romantic overnight stay at the Mountain Home Inn, or at least a brunch.

The book, 111 Places in San Francisco That You Must Not Miss, by Floriana Petersen - and a date to go to at least 11 of them.

A date to go to SFMOMA and reserve a docent tour. Then pick up the Golden Gate Bridge Model Kit to make together. Don't forget to buy Elmer's Glue.

A romantic lunch or dinner at Café Claude and sit at Henry and Daisy's special table. Or maybe even book for New Year's Eve.

Celebrate the holidays by going Ice skating at Union Square, followed by coffee and biscotti at the café on the Square.

For the Henry Quantum think-alike, the Solar System Mobile

 

 

 

So, You've Found Yourself in the Last Minute

Hi.  My character Henry Quantum, star of THE HEART OF HENRY QUANTUM, waited till the very last minute to buy his wife a Christmas gift – and all he could think of was perfume.  Now, he did come up with a good one, but he was aware it was a rather perfunctory gift.  Happily there are a lot more last minute options to save your butt this Christmas.  Here are just a few:

For her:

Chanel No.5 was Henry’s choice, and, let’s face it, it is the gold standard.  But if your partner is younger than 40,  you might try the new No. 5 L’Eau – it’s lighter and more modern, very bright and youthful, and I think quite charming.  Of course when it comes to perfume, most women have a particular scent that defines them.  My advice: check her dressing table (or bathroom counter) and see what’s almost empty.  Then buy it.  And don’t cheap out with eau de toilette.  Get real perfume or eau de parfum if she prefers a lighter spray.  

Anything from Tiffany & Co.  The only thing that matters is the little blue box.  Because if she hates what you buy, she can always exchange it.  Just remember: gold is better than silver and jewels are better than plain gold, but if you include a love poem you’ve written yourself, you can put cubic zirconia in there and she’ll swoon.

You might be tempted to think, “Last minute gift? Chocolates!”  No!  A thousand times no! But going to Switzerland to visit the Maison Cailler chocolate factory in the little hamlet of Broc?  Stellar!  In fact, you can take a full Chocolate Tour of Switzerland including truffle hunting, Michelin-starred restaurants, and a sunset cruise if you check out www.alpenwild.com  As a last minute gift, just write up a fake “ticket” with all the details – airline, hotel, how long a stay, etc.  If you’re lucky, she’ll forget about it in a few weeks.  If not, take her to bloody Switzerland.  (Don’t want to do the tour?  The Ritz Carlton in Geneva is quite nice! Or for super romantic, try the Park Hotel on the lake in Vitznau).

Also, do NOT buy her candles, even though she loves candles.  Girlfriends by her candles.  You have to buy her a weekend at Canyon Ranch Resort.  Trust me, they will supply all the candles she needs.  www.canyonranchdestinations.com

A puppy.  Yes, a puppy.  A cute adorable, hopefully housebroken puppy (in fact, possibly full-grown barker) which you’ve fallen in love with at the animal shelter.  This way she will remember you long after she’s broken up with you, which conceivably could happen that very night – unless of course, the puppy comes with you attached – forever.

 

For him:

Okay this one is a breeze. It’s expensive, but worth every penny if you want your guy to know you deeply understand him.  Just go to your local liquor emporium (believe me, it’s open on Christmas Eve day) and say to the clerk, “I would like to buy four single malt scotches.” He will be very happy with you.  Include the following: McCallum, Oban, Highland Park, and one more that no one has ever heard and has a totally unpronounceable name.  (This is very important as there is a correlation between indecipherable and his pleasure). Put it all in a box on which you write the words SCOTCH FLIGHT and be sure to include two tumblers, one for him, and one – yes – for you – thus proving you are much more woman than he bargained for.

A really, really, really expensive watch.  Ladies, this is what every man wants even though he doesn’t know it.  It will make him feel he’s finally arrived, even if he’s only half-way there.  So, if you’ve got five to ten grand to blow, look for brands like Cartier, Jaeger, Ebel, Baume & Mercier –  actually you can even get a lower end but fabulous Rolex for about 12K.  But if you really want to impress, up your budget to 25 to 50K for an Oyster or a Patek Philippe.  But no matter how much you spend one thing is for sure: every time he looks at his wrist, he’ll see your faith in him reflected there.

A week away from you.  No, don’t be insulted.  We’re just talking boy time.  Send him (and a pal, if you can get someone else in on this) for a canoe trip deep into the heart of the Amazon rainforest.  He can join a small group of 4 to 8 other hearty souls by signing up at www.untamedpath.com or www.amazonadventures.com – there are lots of other options on line as well.  Let him wander through uncharted jungle, fish for man-eating piranha, and get bitten to death by bugs as big as house cats, while you hang out around the fireplace with all your girlfriends!  Good for you, good for him, and very good for the relationship!

.Okay, this one could be for either of you, but let’s put it here because I can’t think of anything else.  It’s about golf.  We all know you can’t buy a real golfer a golf club (unless he’s described EXACTLY what he wants and has tried it out twenty times himself at the golf shop).  But you can buy a gift certificate for the golf club of his or her choice.  Safer, however, and easier, is a gift certificate to the play on the course of his dreams (Pebble Beach, anyone?).  Just go to www.playgolf.com   The card is digital so it’s perfect for last-minute, and you can redeem it at over 5000 courses.  Easy peasy.  

For the friend, family member or neighbor who didn’t vote the way you wanted him or her to:  A copy of the Constitution – just might come in handy these days. www.amazon.com

Or you can forget all of that, and pick up a copy of The Heart of Henry Quantum for everybody on your list...perfect for the man, the woman, the reader, the romantic, the comedian, the intellectual, the philosopher, the San Franciscan, and the scientist in your life. www.pepperharding.com/take-action/

Wise Guys, B-S Artists or Sophists? It’s Your Call

Immoral truth-benders or imparters of wisdom? I've been thinking about the word "sophist." I’m sure anti-Hillary-ites don't mean "imparter of wisdom" when they accuse our potential first female president of being a sophist. Likewise, when my hero Henry Quantum bemoans the fact that he himself has become a sophist, he certainly intends it to have the same negative connotation.  

The standard definition of a sophist is “a paid teacher of rhetoric and philosophy in ancient Greece, associated in popular thought with moral skepticism and specious reasoning,” or – definition #2 in the Oxford English Dictionary and the one typically applied to Mrs. Clinton – “a person who reasons with clever but fallacious arguments.” Both these definitions were used by Socrates when he taught the difference between philosophy (seeking truth) and sophistry (winning an argument). 

In other words, when it comes to Mrs. Clinton (or just about any politician), the name-callers are often just as much, or more, sophistic than the object of their derision. I only have to mention the name Trump for you to get my point ...

But let's leave politics to the politicians, and turn our attention to how sophism relates to a parallel topic – desire. Which is what drives all of us all the time and accounts for the gazzillions of dollars spent on Henry Quantum's chosen occupation: advertising. (If you think you're immune, guess again!)

“All my brainpower," Henry laments, "all my persuasive talents, all of me, in the service of a laxative!” In a moment of clarity he realizes that he’s a sophist. And that, in fact, all of us may be sophists! Playing fast and loose with the truth.  Arguing for argument's sake. Proving a point. Being the smartest one in the room.

 But let us do a bit word archaeology before we cut out our own tongues. 

Back in the day – we're talking, like, back in the 5th century B.C.E. – sophists were really just wise guys. Not the Goodfellas-type of wise guys, but wise men – poets like Homer were called sophists, thinkers like Pythagorus and Zeno, teachers and even prophets. Maybe these real wise guys should be showcased at the Mob Museum in Las Vegas (yes, this is a real place) right next to Meyer Lansky and Al Capone!

These sophists of yore would likely have had a plethora of justifications as to why their way of life was honorable and legitimate (kind of like the mafia men and their honor-based killings in The Godfather, to continue with my mobster theme). But they started getting a bad rap in the 4th century BC because they began accepting payment for their skills. In exchange for a fee, early sophists would offer an education to young, wealthy Greek men seeking the rhetorical ability to influence others through their speech.

According to the Internet Encyclopedia of Philosophy – yes, there is such a thing! – “Due in large part to the influence of Plato and Aristotle, the term sophistry has come to signify the deliberate use of fallacious reasoning, intellectual charlatanism and moral unscrupulousness." However it's an oversimplification to think of the historical sophists in these terms because they made genuine and original contributions to Western thought. Plato and Aristotle (who, by the way, also got paid for their services) distinguished their own activity – and that of Socrates – from the sophists by calling it "philosophy." A brilliant marketing ploy if ever there was one. Sophistic? You decide.

Of course Plato and Aristotle were brilliant and their quest for truth was sincere and has rightly influenced all of Western Civilization -- I still love to read and learn from them. (You'll even find bits and pieces in Henry's musings).  

As for modern sophists and Hillary haters, or any haters, look at their objectives. Are they after truth or self-aggrandizement or just want to win? With my character Henry, he is only accusing himself as he struggles with the contradictions and ironies of being a human being. 

So to get to the heart of the matter: Is the philosopher all that different from the sophist?

I think this scene from Mel Brooks’ History of the World: Part 1, which came out in 1981, might give us a clue:

Dole Office Clerk: Occupation?

Comicus: Stand-up philosopher.

Dole Office Clerk: What?

Comicus: Stand-up philosopher. I coalesce the vapors of human experience into a viable and meaningful comprehension.

Dole Office Clerk: Oh, a bullshit artist!

Indeed, philosophy can come from any corner. Martin Scorsese’s 1990 mobster film “Goodfellas,” features philosophers who just happen to be wielding weapons while doling out useful tidbits such as “never bust a wise guy’s balls.”

Actually, there is a bit of synergy between my book and Goodfellas. Both star a fellow named Henry!  The film was adapted from a 1986 non-fiction book called Wiseguy, written by Nicolas Pileggi, and both are told from the point of view Henry Hill, a real-life mobster who ended up ratting out his friends. Mobster Henry ended up being an author himself many years later – after getting booted out of the witness protection program. It was titled -- no lie or sophist twist here - The Wiseguy Cookbook: My Favorite Recipes From My Life As A Goodfella To Cooking On The Run.

You might want to put the two Henry books on your reading list … The Heart of Henry Quantum and the cookbook. Hill writes that his last meal on the day he was busted for drugs included rolled veal cutlets, a sauce with pork butt, veal shanks, ziti, and green beans with olive oil and garlic. Who could eat so much? A sophist’s embellishment, or a truthful account?

Alas ... in the world of sophistry in which we currently live, only the teller knows the tale.

 

 

Looking For Love in a 'Swiping’ Culture

Say the word “love” and immediately you think of Romeo and Juliet or Dr. Zhivago or Brokeback Mountain – and everyone seems to know what you are talking about, and yet to live through love is to know nothing at all. – The Heart of Henry Quantum by Pepper Harding


True or false?  It used to be a joke for couples to meet online.

Apparently it was OK for tech nerds and 35-year-olds guys who lived in their parents’ basements. But not for anyone else.

Well, no more.

My hero, Henry, is a bit past the “dating” game in his life … he’s more into the what-do-I-get-my-wife-for-Christmas? and the oh-dear-I-ran-into-an-ex-girlfriend phase of life. But he’s still dealing with that old demonic question: How do I not only find love, but how do I recognize it when it’s right in front of me?

My novel, “The Heart of Henry Quantum,” might help you wrestle with these questions. But out in the real world, what is it really like these days ... say, in San Francisco? I mean, how DO you meet the love of your life in these all-eyes-on-your-iPhone days?

At work? Well, it’s typically officially taboo to date a co-worker, isn’t it? At a bar, drunk, looking desperate? That’s a winner. At the grocery store? Lame, especially if you have three kids in tow. At the local cineplex? Uh, you’re sitting in the dark munching popcorn trying to pretend you love going to movies alone. (Full disclosure: I kinda do.) Or … the more likely scenario … macking on one of your buddies’ spouses or spousettes at a dinner party when you’ve had just one too many glasses of Kamen cab? Finding a true-love fembot (or studbot) on Ashley Madison?

Will anyone admit to trolling around on Plenty of Fish aka pof.com? Yeah, that’s an exercise in futility and self-torture. Log in for one night, I dare you. 50,000 new singles per day – please.

The local CBS station in San Francisco kindly compiled a list of the five best dating website, but I don’t trust their findings because POF is listed. (Obviously everyone at KPIX is married or dead or both.) They also list OKCupid.com – which is great if you want to be bombarded with pictures of naked hairy parts. Hey, you get what you pay for.

So, it’s on to Tinder! Swipe right, swipe left, swipe right …  I try to envision how my hero Henry Quantum would use Tinder. His internal dialogue would be painfully humorous, but to write it I’d have to go on Tinder myself. Oh wait! I have. I know it’s designed for uber-superficial, snap-judgments based on looks alone, but hey, this is the 21st century.  And research is so important to good writing.

As for Henry Quantum, I think he’d be so overwhelmed by the fact that Tinder registers about one billion swipes per day, that he’d just have to go take a nap.

Gold Rush Sophistication & the Shaken Sexiness of a Martini

It’s impossible to be a great writer and not like a good one. Or a dry one. Maybe even one that’s a little dirty. I’m talking about martinis.

We all know what Ian Fleming thought of martinis – drawing infinite attention to whether Bond’s should be shaken or stirred. Ernest Hemingway’s favorite drink was allegedly a very dry martini. And NPR reported in a feature about martinis, highlighting their sophistication and sexiness, the fact that H.L. Mencken is said to have called the martini “the only American invention as perfect as the sonnet.”

According to the folks orchestrating National Martini Day, the first recipe for a martini (known then as a “Martinez”) appeared in print in 1887 in, of course, San Francisco. Why a Martinez? Well, there’s a lovely little burg on the outskirts of San Francisco that I’ve been to … by the name of Martinez; and this adorable little town – and supporting folklore – claims that the martini was invented here by a Gold Rush miner; or rather, a bartender creatively trying to provide good customer service when he was out of champagne.

What’s in a martini? You don’t want to ask that embarrassing question in public, so I’ll tell you here. Thankfully the Huffington Post posted an article titled “How To Order A Martini Like A Pro,” in which it’s explained quite simply that a martini is a cocktail made of gin and vermouth, “with a general proportion of one part dry vermouth to four parts gin, depending on the type you’re making; it’s usually garnished with a green olive or a lemon peel.” If you’ve ever seen the Hitchcock classic North by Northwest, you may recall Cary Grant tended to order a drink called a “Gibson,” which is a variation on the martini with an onion as garnish. Hmmm. I think only Cary Grant could get away with that one.

If you want a complete run-down on the etiquette, form and function of ordering martinis to impress ladies, you could check out the less-politely-titled “Stop Ordering Your Martini Like An Asshole.” Might be worth 5 minutes to check out. Who wants to sound like an asshole when ordering a martini? Not me.

And, not to upset my friends in Martinez, there are some who claim the name of our sophisticated drink comes directly from Martini & Rossi vermouth.

Regardless of its founding, martinis came into their own during Prohibition. The Flapper Era. There's a mystique about that time – 1920 to 1933 – that is so distinctly American, yet probably more fun as nostalgia than the reality itself. Sneaking around trying to suck down a spot o’ homemade and illegally obtained liquor in hidden closets behind funeral homes probably wasn’t really that glamorous. Yet the image of forbidden booze, hot jazz, smokes and flappers is just so appealing. It makes me feel like throwing some Count Basie on the phonograph and lighting up a Chesterfield.

Since I can’t do that – since (the original, at least) Count Basie is no longer with us and Chesterfields are unfiltered, awful things – I go back in time by frequenting my favorite establishments in San Francisco.

My main character in my upcoming novel, Henry Quantum, thinks the best martini in San Francisco is at Bix, which claims to have re-instigated the cool factor of a martini in the 1980s. I would have to agree with Henry, although I may beg to differ with Bix in that I can’t imagine the martini ever wasn’t cool.

Just walk in the door to Bix, and you’ve re-entered the Prohibition era, where there’s a bowl full of stemware chilling on crushed ice right there on the bar. I don’t think I’ve ever word-for-word quoted a business’ marketing-speak, but just take in this description of Bix from their website: “On an enticing alley in San Francisco's historic Jackson Square, a lone neon sign leads into a soaring room of fluted columns, mahogany paneling, plush banquettes and distinguished artwork. White jacketed bartenders hold forth behind a gently curved bar, mixing what many have called the city’s best classic cocktails. Variously described as a civilized speakeasy, a supper club and an elegant saloon, BIX offers modern American cuisine served in a soaring two-story dining room to the strains of live jazz nightly.”

So who’s in? Henry and I might stop in one of these days – maybe with our friends Humphrey Bogart and James Bond – and pony up for a little sophistication, with a splash of vermouth.

Kerouac & The Streets of San Francisco

What first comes to your mind when you hear the words “the streets of San Francisco?" Maybe it just makes you want to take a walk - uphill. Or if you’re a 1970s crime drama fan, surely you will conjure up images of Michael Douglas as the rookie cop with gloriously feathered hair rising so high it almost blocks out the Golden Gate Bridge behind him in the stock promo shots.

But the real streets of San Francisco – for me – are those streets leading to hep bars and crazed jazz clubs inhabited by my beloved Beat Poets. Their ghosts, anyway. You might notice my protagonist, Henry Quantum, kind of channels the spontaneous prose of Jack Kerouac, via a circuitous literary route backward that ends (begins?) with the influence of James Joyce’s Leopold Bloom. Henry’s tale is told very much in the language of how he thinks, or how I imagine he thinks, or how he imagines I imagine how he thinks.

Henry wanders the streets of San Francisco in The Heart of Henry Quantum – searching for something – and part of that something just might be what was left at the bottom of the glass by the Beat Generation in the 1950s - a certain undefinable spirit - you can feel it if you just say their names: Jack Kerouac, Lawrence Ferlinghetti, Allen Ginsberg, and my personal favorite, Neal Cassady ... not to mention the women, jazz musicians, struggling artists, writers, philosophers and drug dealers they befriended.

I do love the Beat Poets, and totally fell for their schtick hook, line and sinker in my college days. But then, what 18-year-old wouldn't want to throw caution to the wind and hit the road, hang out, deconstruct the meaning of life ad nauseum and just … be? The Beat Poets were all about spontaneity and thrusting off the trappings of materialism and modern life. They were the initial flame of what became the 1960s counterculture movement.

Not surprisingly, a number of the Beat Poets really got into Zen Buddhism. Kerouac shares his brand of spirituality most famously in the great work Dharma Bums, one of my favorite Beat novels and one in which Kerouac’s characters seek transcendence through simplicity. Which isn't always easy, even in the 1950s.

And like the Beat Poets, my hero Henry seems to have some leanings toward Buddhist philosophy, whether he knows it or not. He does profess a love of Zen koans, puzzling with the tiniest and biggest of life’s problems. Realizing in flashes of Zen enlightenment that “if you look, you miss seeing.”

Taking my character’s advice, I stopped thinking about how cheesy I thought that ‘70s cop drama The Streets of San Francisco might have been and had a flash of recognition of the connection between these moments in our cultural history.

Streets star Michael Douglas became famous in his own right, besides just being the son of classic film star Kirk Douglas, by acting in this series, and in 1975 used his success to produce author Ken Kesey’s One Flew Over The Cuckoo’s Nest, which won the Academy Award for Best Picture.

Ken Kesey considered himself – and was considered by others – as a link between the Beat Generation of the 1950s and the hippies of the 1960s. This link was literally personified in the person of Neal Cassady, who was the inspiration for the main character of Jack Kerouac’s iconic work On The Road and drove the infamous Ken Kesey psychedelic Merry Pranksters bus decades later. And so the streets intersect and the ghosts meet … with far less than six degrees of separation.

If you doubt the influence of the Beat Poets on San Francisco, know that there is actually a MUSEUM dedicated just to them. The Beat Museum is open daily from 10 am to 7 pm – pretty tame hours for beatniks! But they were savvy enough to snag the domain name www.kerouac.com, and museum staff offer scheduled walking tours on Saturdays at 2 p.m., during which you can walk in the footsteps of the Beat Generation – hitting the bars they frequented, the landmark City Lights Books, the famous street corners they reference in their writings – and maybe crossing over a few of Henry Quantum’s footsteps while you’re at it?

 

*The Streets of San Francisco image credit: By Source, Fair use.

No. 5: Just A Few Drops

In 1952, LIFE Magazine asked then-26-year-old Marilyn Monroe, “What do you wear to bed?” Her famous answer: “Just a few drops of No. 5.”

In a Chanel marketing film recently released, you can hear Marilyn in an interview laughing and saying she wanted to tell the truth but couldn't use the word “nude.” I think her phrasing choice was actually a risqué and clever improvement over a straightforward answer, and I love her for it.

In my novel The Heart of Henry Quantum, the plot is centered around hero Henry’s plight(s) as he desperately journeys through the streets of San Francisco with a mission of purchasing his wife a bottle of the iconic Chanel No. 5 for Christmas.

Why is Henry searching for Chanel No. 5? Why not, say, White Diamonds by Elizabeth Taylor? Eternity by Calvin Klein? Well, first off, you can buy White Diamonds at WalMart, no offense to Walmart shoppers. And Eternity only has 241 “likes” on Facebook, while Chanel No. 5 has 77,115 last time I looked (OK, just about 5 minutes ago).

How would you describe the intoxicating, earthy pull of Chanel No. 5? My friends who claim it as their scent are die-hards, in for the long haul. If you wear Chanel No. 5, you wear Chanel No. 5. That’s it. No testing around, no checking out the latest Dolce & Gabbana sample. They just absolutely have fully internalized a deep love of the scent itself. And maybe have fallen a little head over heels for decades and decades of ingenious marketing.

For me, the allure is all in the bottle. Literally, the bottle design itself intrigues me. So solid, square-ish, clear glass, no fluff. I once read that Mademoiselle Chanel designed it to look like her lover’s whiskey flask. That idea appeals to me; it does look like you could easily keep it the inside pocket of your evening jacket. Although you’d only want to consume its contents by “drinking in” the musk of a woman enveloped in your arms. Or a man, I suppose … anyone is capable of picking up the little glass container filled with history, mystery and cultural weight and pressing down on the atomizer.

The history beguiles me, as well. I mean, how many perfumes were created to fight for women’s rights? Maybe a slight exaggeration … maybe not.  According to the Wikpedia entry on Chanel No. 5, “Traditionally, fragrance worn by women had adhered to two basic categories: respectable women favored the pure essence of a single garden flower, and sexually provocative perfumes heavy with animal musk or jasmine were associated with women of the demi-mondeprostitutes or courtesans. Chanel felt the time was right for the debut of a scent that would epitomize the flapper and would speak to the liberated spirit of the 1920s.”

Besides Miss Marilyn and the mesmerizing Coco Chanel herself, this iconic perfume has romanced celebrities and the wealthy for a long time. Ann Woodward’s favorite scent was Chanel No. 5.

If you’ve never heard of this socialite – accused of murdering her husband in 1955 by one of my favorite authors Truman Capote in his story Answered Prayers – then I suggest you Google her name for a nice, creepy tale of upward mobility and murder. And a nice, iconic whiff of Chanel No. 5.